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During many visits to companies and schools all over the globe I have noticed that young dancers struggle to find jobs while companies are looking for more versatile dancers who are able to perform a repertoire that never ceases to increase in diversity. A dancer, now, has to excel in both classical and modern repertoire, from Petipa, to Forsythe, from Balanchine to Dawson.
We want to convey to our participants the direct connection between classical and modern dance by inviting leading teachers and coaches, choreographers and directors, who usually reserve their talent for leading companies and schools all over the world, transmitting their valuable knowledge to our participants creating a unique and valuable experience.